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              <text>107 acre reservoir between the Potomac River and Washington Channel.</text>
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              <text>Gardens and Landscapes</text>
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                <text>Tidal Basin</text>
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                <text>Alexander and Repass</text>
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                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/item/hec2008005337/"&gt;View original.&lt;/a&gt;</text>
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                <text>The Tidal Basin serves several purposes on the National Mall. Primarily, it is a reservoir for the &lt;a href="http://mallhistory.org/items/show/424"&gt;Potomac River&lt;/a&gt; and Washington Channel. In the past, it has also served as a recreational area for &lt;a href="http://mallhistory.org/items/show/164"&gt;swimming&lt;/a&gt;, ice skating, or &lt;a href="http://mallhistory.org/items/show/494"&gt;boating&lt;/a&gt;. Built by &lt;a href="http://mallhistory.org/items/show/137"&gt;Alexander and Repass&lt;/a&gt;, the Tidal Basin is lined with &lt;a href="http://mallhistory.org/items/show/24"&gt;Japanese Cherry Trees&lt;/a&gt;, making it the center of the &lt;a href="http://mallhistory.org/items/show/480"&gt;Cherry Blossom Festival&lt;/a&gt;, and it borders several monuments, including the &lt;a href="http://mallhistory.org/items/show/31"&gt;Jefferson&lt;/a&gt;, &lt;a href="http://mallhistory.org/items/show/156"&gt;Martin Luther King Jr.&lt;/a&gt;, &lt;a href="http://mallhistory.org/items/show/27"&gt;FDR&lt;/a&gt;, and &lt;a href="http://mallhistory.org/items/show/16"&gt;George Mason&lt;/a&gt; memorials. All of these factors make the Basin one of the central natural and recreational features of the National Mall.</text>
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          <description>Text describing the appearance of the place and its situation on the Mall.</description>
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              <text>A 1.6 acre garden featuring modern sculpture, a fountain/ice rink, and cafe.</text>
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                <text>National Gallery of Art Sculpture Garden</text>
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                <text>Laurie D. Olin</text>
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                <text>5/23/1999 (opened to public)</text>
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                <text>Plans for a National Sculpture Garden on the Mall began in the 1960s, but it was not until 1991 that jurisdiction for the site was transferred from the National Park Service to the National Gallery. Olin Partnership, headed by Laurie D. Olin, designed the landscape, working with staff from the &lt;a href="http://mallhistory.org/items/show/427"&gt;National Gallery of Art&lt;/a&gt;. The first sculptures for the garden, many of which can still be seen today, were curated by Mark Rosenthal and Marla Prather. The middle of the garden is a fountain in summer and an ice rink in winter. Sculptures include works by American and international artists.</text>
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                    <text>Joacim Osterstam</text>
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                    <text>http://www.flickr.com/photos/yoke_mc/12469525/in/set-304421</text>
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                    <text>Attribution 2.0 Generic (CC-BY)</text>
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          <description>For sort purposes only. Use YYYYMMDD with no spaces. If no MM or DD, use 00. For multi-day events, use first day.</description>
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                <text>Million Man March</text>
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                <text>10/16/1995</text>
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                <text>&lt;p class="p1"&gt;This march on the National Mall for African American civil rights was proposed by Louis Farrakhan and organized with the support of the National African American Leadership Summit, the Nation of Islam, and various civil rights organizations. The March organizers wanted to challenge what they perceived as growing racism in the United States, particularly in government policy, and to present a new definition of black manhood to the nation. The main focus of the event was sessions held on a stage near the west front of the &lt;a href="http://mallhistory.org/items/show/59"&gt;Capitol&lt;/a&gt;. Estimates for attendance vary, ranging from 400,000 to 870,000 people.&lt;/p&gt;</text>
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                <text>1980-1999</text>
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                <text>Joacim Osterstam, Flickr.com. &lt;a href="http://www.flickr.com/photos/yoke_mc/12469525/in/set-304421"&gt;View original&lt;/a&gt;.</text>
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          <name>Physical Description</name>
          <description>Text describing the appearance of the place and its situation on the Mall.</description>
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              <text>Neoclassical style building constructed of marble, featuring a center rotunda. About the size of a city block.</text>
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          <description>The location of the interview.</description>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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                <text>National Gallery of Art West Building</text>
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                <text>In the 1920s, art collector and financier Andrew Mellon decided that the city needed a proper museum of art to rival those in Europe. With construction funds, a sizable endowment, and art all donated from Mellon, construction on the National Gallery of Art was begun in 1937. The building, designed in a classical style by John Russell Pope, was dedicated on March 17, 1941. The museum quickly attracted donations from other prominent art dealers, and today features art from around the world.</text>
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                <text>John Russell Pope</text>
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                <text>03/17/1941 (Dedicated)</text>
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                <text>1920-1949</text>
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                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/item/gsc1994016286/PP/"&gt;View original.&lt;/a&gt;</text>
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                    <text>1980-2006</text>
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                <description>A related resource from which the described resource is derived</description>
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      <description>Important spaces on the mall (See the "Places" writeboard in basecamp.)</description>
      <elementContainer>
        <element elementId="86">
          <name>Physical Description</name>
          <description>Text describing the appearance of the place and its situation on the Mall.</description>
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              <text>The East Wing of the National Gallery of Art has a modernist style which is nonetheless closely linked with the classical style of the original West Building.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/collection/highsm/item/2011630790/"&gt;View original.&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>When Andrew Mellon donated his collection to form the &lt;a href="http://mallhistory.org/items/show/427"&gt;National Gallery of Art&lt;/a&gt; in the 1930s, he asked Congress to reserve land near to the Gallery for future expansion. By the 1960s, the Gallery needed that expansion. With funding from the Andrew Mellon Foundation and Mellon family members, the Gallery commissioned architect I. M. Pei to design a modernist wing to the east of the original building. Construction began for the new East Wing in 1971 and was completed in 1978.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>I. M. Pei</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>06/01/1978 (Opened)</text>
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                <text>1950-1979</text>
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              <text>The Potomac River is 405 miles long, running through West Virginia, Virginia, Maryland, and Washington, DC. The Anacostia River is 8.4 miles long, running through Maryland, and Washington, DC.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Potomac and Anacostia Rivers</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The southern boundary of Washington, DC, is bordered by two rivers: the Potomac and the Anacostia. The rivers have long had problems with pollution from human and industrial waste. In the 1860s, President Lincoln used to complain of the smell of the rivers, retreating to Soldier's Home to escape. In the 1970s, President Lyndon B. Johnson attempted to reverse decades of pollution, making the rivers a focus of the 1972 Clean Water Act. Today the rivers are improving, but still suffer from pollution.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/item/95515129/"&gt;View original&lt;/a&gt;.</text>
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                <text>Pre-1800s</text>
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                <text>2000-present</text>
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        <name>environment</name>
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          <name>Physical Description</name>
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              <text>The first stable in 1800 was a simple Georgian Brick building. The pictured stable, standing from 1857 to 1864, was a two story brick building with a metal roof and cupola. </text>
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              <text>Ghost Sites</text>
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            <name>Title</name>
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                <text>Executive Stables</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Library of Congress Prints and Photograhs Division. &lt;a href="http://www.loc.gov/pictures/item/2011660268/"&gt;View original&lt;/a&gt;.</text>
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            <name>Date</name>
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                <text>1800 (created)</text>
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                <text>1911 (removed)</text>
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                <text>1800-1829</text>
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                <text>1890-1919</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Executive Stables, which held the horses, carriages, and later automobiles of the President, were built, rebuilt, and relocated several times. The first stables were built in 1800 by the Jefferson administration and sat just off the &lt;a href="http://mallhistory.org/items/show/66"&gt;White House&lt;/a&gt; grounds, near the current site of the &lt;a href="http://mallhistory.org/items/show/337"&gt;Treasury Building&lt;/a&gt;. The stables were relocated and redesigned three more times before those shown in this photo were constructed. Built during the Pierce administration in 1857 and destroyed by fire during Lincoln's presidency in 1864, these stables were located in the backyard of the White House. Three redesigns later, the final Executive Stables stood where the &lt;a href="http://mallhistory.org/items/show/67"&gt;Eisenhower Executive Office Building&lt;/a&gt; is located today.</text>
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        <name>neighborhood</name>
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        <name>presidents</name>
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        <name>work &amp; play</name>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>The National Mall a seen from the atop the Washington Monument, as thousands of people turn out to see the American Reunion Celebration</text>
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                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                    <text>01/01/1993</text>
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              <text>Inauguration</text>
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              <text>Concert</text>
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          <name>Event Sort Date</name>
          <description>For sort purposes only. Use YYYYMMDD with no spaces. If no MM or DD, use 00. For multi-day events, use first day.</description>
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              <text>19930117</text>
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      </elementContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>America's Reunion on the Mall</text>
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            <description>An account of the resource</description>
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                <text>This festival celebrating American cultural diversity was held on the days leading up to the first inauguration of President Bill Clinton. It was organized by the Inaugural Committee, with support from the Smithsonian Institution, the Library of Congress, and the National Park Service. Three food tents offered cuisine from all over the United States. There were multiple stages where musical performances were held throughout the day for all three days of the festival, as well as a kickoff concert at the Lincoln Memorial headlined by major artists including Michael Jackson, Aretha Franklin, Ray Charles, and Michael Bolton.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="21775">
                <text>National Archives at College Park. &lt;a href="http://research.archives.gov/description/6481057"&gt;View original&lt;/a&gt;.</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1/17/1993-1/19/1993</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1980-1999</text>
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        <name>presidents</name>
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        <name>work &amp; play</name>
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      <description>Important spaces on the mall (See the "Places" writeboard in basecamp.)</description>
      <elementContainer>
        <element elementId="86">
          <name>Physical Description</name>
          <description>Text describing the appearance of the place and its situation on the Mall.</description>
          <elementTextContainer>
            <elementText elementTextId="21608">
              <text>Classical building featuring a tropical patio, marble staircases and galleries, and monument halls. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview.</description>
          <elementTextContainer>
            <elementText elementTextId="21609">
              <text>The OAS has five buildings in Washington, DC. The Main Building (MNB) is located on the corner of 17th Street and Constitution Avenue, NW, Washington, DC. </text>
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          </elementTextContainer>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Government Offices</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Organization of American States Building</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>The Organization of American States (OAS) Building was completed in 1910. Its style is meant to be a fusion of some of the major architectural elements from its participating members, with Spanish, Native American, French, Portuguese, and English influences. The OAS was founded in 1889. Proposed by the US and first meeting in Washington, DC, the Organization was established as “an order of peace and justice, to promote their solidarity, to strengthen their collaboration, and to defend their sovereignty, their territorial integrity, and their independence." (Article I, Charter of OAS). Today, the OAS has 35 member nations from across North and South America.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Paul Cret and Albert Kelsey</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="21604">
                <text>University of Pennsylvania Collections, Paul Philippe Cret Collection. &lt;a href="http://www.design.upenn.edu/archives/majorcollections/cret/ppc-panam.html"&gt;View original&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1910</text>
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            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1860-1889</text>
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                <text>1890-1919</text>
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        <name>neighborhood</name>
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      <tag tagId="18">
        <name>politics &amp; protest</name>
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        <name>work &amp; play</name>
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      <name>Place</name>
      <description>Important spaces on the mall (See the "Places" writeboard in basecamp.)</description>
      <elementContainer>
        <element elementId="86">
          <name>Physical Description</name>
          <description>Text describing the appearance of the place and its situation on the Mall.</description>
          <elementTextContainer>
            <elementText elementTextId="21736">
              <text>Bronze statue on a marble base.</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview.</description>
          <elementTextContainer>
            <elementText elementTextId="21737">
              <text>18th Street, at the Intersection of Constitution and Virginia Avenues. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="87">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
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              <text>Statues and Sculpture</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Jose Artigas Statue</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21731">
                <text>General Jose Gervasio Artigas was a military and political leader in Uruguay in the 1800s. Influenced by the Enlightenment ideas which also sparked the American Revolution, Artigas' revolutionary movement was part of the Spanish American wars for independence. This statue is a cast of one which stands in Uruguay. It was commissioned as a goodwill gesture between that nation and the United States in the early 1940s, but was not delivered until 1947. Two years later, Congress authorized funds for the creation of a base for the statue and the work of installing it at its present site.  </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Juan Manuel Banes</text>
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            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="21733">
                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/resource/thc.5a36968/"&gt;View original&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>06/19/1950 (dedicated)</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1950-1979</text>
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    </elementSetContainer>
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